Video: Grayson Perry

Love this fantastic visit with Grayson Perry... One of my all time favorite artists and people.

All you have to do is put in the hours...

James Tisdale

Let's get a little figurative, shall we?  Aren't these sculptures by Austin-based ceramist, James Tisdale incredible? I love all the detail in each piece, from the colors to the gestures, it really allows a story to develop within the sculpture. I feel like a lot of sculpture lacks that quality- narrative, which is a shame because narrative is one of the aspects of sculpture that keeps it from being static and boring. Wouldn't you agree? 

(images via artist's website with permission)

Video: Gerit Grimm

What an inspiring little sneak peek. I can't believe that Grimm uses the wheel to make her work. How fantastic!

Lynda Draper

I adore these contemporary figurines by Lynda Draper. They are so modern and folksy at the same time. I came accross them again recently on The Jealous Curator and thought I must share some of them with my lovely readers. They seem so appropriate for the simple fact that I am here in Montana right now and though there is snow all over the ground and mountains, it's melting quickly. The temperature has been super warm, in the thirties, and we haven't seen a single snowflake since we left Oregon. Bummer. These little creatures are a replacement for the snowman I am dying to make. I hope some of you out there have been able to make some fancy snowman this holiday season so far! :)

(images via Dear Ada and Stella Downer Gallery)

Leanne McClurg Cambric

Bah... I just came across this fine young lady while looking at the LSU ceramics program.  Having graduated from the MFA program in 2002, Cambric joins many other incredible ceramists as an LSU alumna, like Kurt Anderson, Debbie Kupinsky, and Andrea Keys. Isn't her work delicious? So modern and fabulously layered. I want to slice it up and nom like it's a confectionery masterpiece. 

(images via artist's Flickr)

Off Subject: Orly Cogan

Orly Cogan has figured something out. When I think about artists taking traditional crafts and using them to create fine art, I don't think of many success stories. Orly Cogan is an exception. Her work pushes boundries, makes you think, looks beautiful, is impeccably executed, and still stays true to the roots of the craft.  I've got to figure this secret out.

(images via My Love for You Is a Stampede of Horses, Mr X Stitch, Magpie and Whiskeyjack, The Rathaus, and Hammer Gallery)

Kelly Connole

Am I an absolute sucker for Kelly Connole's rabbits? Yes, because they are so dang cute the smokey surface and lacy patterning are so beautiful and because those eyes always look like their about to start furiously batting their lashes.

(images via artist's own website)

Debra Fritts

Debra Fritts is a contemporary ceramics A-lister. Her way with texture, color, incorporation of other sculptural materials, figure and countenance, are all so very alluring. I especially love the details I see in her work... for instance the little yellow dot on the knee of the figure above. How fantastic! Has anyone seen her work in person? What is it like in person?

(images via Santa Fe Clay and Arrowmont School of Arts and Crafts)

Virgil Ortiz

Virgil Ortiz is an artist from the Cochiti Pueblo in what is now Northern New Mexico. The people of the Cochiti Pueblo are part of a long tradition and history of American Indian potters. Their specific graphic, polychrome style has developed over 300 hundred years with strong influences from neighboring tribes. Growing up in this tradition, Ortiz began working in clay as a small child, only to realize as a teenager that the craft he was so familiar with was, by many, considered art. At this point his unique style emerged and took him in a more personal direction. I am a huge fan of traditional pottery from the native cultures of New Mexico. The boldness, geometry, and juxtaposing complexity and simplicity of the designs are just so spectacular. Ortiz's figurative style, which is blatantly sexual in nature, is like a shot of testosterone in these pots- elevating them from a level of kick-ass to complete-annihilation. To view more of the artist's work including sculptural pieces, visit his website.

(images via Ceramic Arts Foundation and Clark+DelVecchio)

Off Subject: Willy Verginer

I love the humor in Verginer's sculptures and the visual impact of the vibrant color blocking is so striking. These make me want to try wood-working so badly. Has anyone else sculpted in wood? What is it like compared to sculpting in clay?

(images via Booooooom!, Warmenhoven & Venderbros, and bumbumbum)

Lisa Clague

I realized the other day that I had never posted about the amazing sculptor, Lisa Clague.  Not only is Clague's imagery provocative, but her textures and palate are perfectly refined. The artist's inclusion of other materials is also inspiring because ceramics with additional media is a difficult line to balance.  I am particularly fond of her sculptural cups. That mouse directly above it also pretty incredible.  Who has seen her work in person?  What is it like close up?

(images via Santa Fe Clay, Arrowmont, and artist's own website)

(Mud)Shot: Sharon Virtue

Good morning, everyone! I'm so happy to share today's artist profile. Sharon Virtue is a gem of an artist- supremely talented, remarkably down to earth, and out of this world generous. I am so inspired by her vision and ability to bring art to people all over the world and still have time to create such a gorgeous body of work herself.  

So, I'll hush my gushing... you can all read for yourselves. Enjoy!

The Stats: Sharon Virtue @ Rubys Clay Studio with 23 years in clay…. www.virtuevision.org

Do you remember how or when, exactly, the clay bug bit you? In art school in the 80s in England, I was actually into film and tv, but ended up being frustrated by the lines for equipment, so I would go down to the clay studio, which was always empty.

Can you choose three words to describe your work? flamboyant, enigmatic, exciting.

I find that as ceramic artists we can get really focused on the ceramic art world and forget what’s happening outside of it. Can you name a non-ceramic artist whose work inspires you? There are many, and my own work spans many different mediums, Painting was my first love, and my work in community development around the world keeps me firmly grounded in the fact that what I do in my studio is not that important. I am inspired by Matisse, Micheal Jackson, Mythology and Magic…. and most of the sculpture from the ancient worlds from Africa, Oceania, Asia and Classical Greek/Roman Europe.

The directions you can choose as a ceramic artist are so many and so varied that we often have to choose a few areas to focus our expertise on. Is there a technique or skill, apart from your own, that you admire or aspire to? I have no formal training in ceramic arts, after my first NCECA conference I realized that most of these people have MA’s… so there are a million different technical things for me to learn. Better throwing skills, handbuilding skills, tricks of the trade, HANDLES….!!!

As makers, we are often surprised by what our audience likes best of our work. And our audience’s favorites aren’t always the same as our own. Of your own work, do you have a favorite piece or project? My sculpture, though I feel it is sorely neglected right now. I have so much more to learn and express, so many ideas never made manifest. the time that it takes to create a sculpture is so different to my process around smaller functional works that are easier to sell. My latest works I call Clay Poems, they are ceramic paintings, a bridge between my sculpture, painting and functional work.

Alternately, what is your favorite part of your creative process? (Sketching, glazing, pulling handles, installing, etc.) Working with form, from the wet to leather hard phase, and anything to do with surface pattern design.
 

Can you describe your studio space in a few words or sentences? Very small and dark. I call it the ‘Womb of creativity.’

What is the one tool you can’t live without? Sculpting tools… the ones made of bone with tiny little paddle shaped ends.

There are ceramic residencies, studios, schools, galleries, conferences, and museums all over the world. Where has your artwork taken you or where would you like it to take you in the future? My work as an artist in community development projects has taken me to Mozambique, Uganda, Brazil, and most recently Haiti. I have worked on several projects here in San Francisco. Searching for inspiration for my artwork has taken me on many journeys all over the world, the only places I haven’t been are Middle East, Japan, China, the Poles and some other countries in South America. My artwork has earned me residencies in Hawaii, Ghana and here in San Francisco, at the De Young Museum.

Artists are multifaceted people and we often have more than one passion. What is an activity outside of ceramic work that you really enjoy? Dancing, singing, sailing, roller scating, sketching, snowboarding , surfing, travel… just life in general, being alive is so special, we take it forgranted a lot of the time, how lucky we are.

What is the best piece of advice you’ve received from another artist? “Do what ever you want, you are the artist.” (Nick Cave after seeing his exhibition of costumes at the Yerba Buena Art Center)

Teachers always impress the importance of the sketchbook and designers often develop mood-boards as creative as their actual work. How do you collect inspiration? With my digital camera, and my memory if I don’t have a sketchbook.

If you could have a one-on-one workshop with any ceramist (living or not), who would it be? Akio Takamori (for now)… is he giving workshops?

How about some more preferences, perhaps a bit more trivial, shall we…

-Favorite color? the rainbow.

-Coffee or tea? nettle tea.

-Last good film or book? the lace reader.

-Minimalist or maximalist? both

-Dogs or cats? definitely CATS RULE

-Favorite season? they are all special, but I hate being cold.

-Music, silence, or NPR in the studio? depends on the mood, all of the above.

-Polka dots or stripes? Polka dots with stripes on them.

And a bit more personal… Sharon, aside from creating your own body of work, you make an impressive effort to bring art to other communities from right here in the Bay Area to places as far away as Rio de Janeiro and Mozambique. Primarily, these opportunities have been with disadvantaged youth. How have your relationships with these children, specifically, influenced your creativity? My life in general is inspired by the people I work with, but then for me the line between art and life is invisible, its a very holistic, symbiotic experience. My community development projects have helped me to realize how lucky i am to be able to make a career in the Arts. Working with both children and adults abroad and here in California I am made more aware of how important the arts are in our lives. I think most of all I don't take anything for granted and pay attention.

Do you have a blog we can follow? I have a website that needs to be updated but has more in depth info on my community outreach and my blog is http://virtuevision.blogspot.com.

Lastly, where can we see your work up close and personal? Ruby's clay studio, or my home.

Thank you so much, Sharon, for sharing with us. You are a total inspiration.

If you are interested in participating in an artist profile or studio tour, shoot me an email with a link to your website or blog.  :)