From the Cabracega's website:
Within the graffiti context, All City intends to re-interpret some of the most classical Portuguese porcelain sets: the nobility of classical shapes were re-invented with improbable graffiti motifs, based on a contemporary urban language.
It’s intended to confront two different places and times. On one hand, we have the elegant quality of porcelain - represented by the table sets and decorative objects, taking us back to a different timeframe. On the other hand, there is graffiti as an art form and a way for contemporary urban intervention, which aims to promote new perspectives over cityscapes.
It’s intended to confront two different places and times. On one hand, we have the elegant quality of porcelain - represented by the table sets and decorative objects, taking us back to a different timeframe. On the other hand, there is graffiti as an art form and a way for contemporary urban intervention, which aims to promote new perspectives over cityscapes.
Kinda in the same vain as Wedgwood, no?
(via Design Spotter)
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